All Bernardo Strozzi Oil Paintings

1581-1644 Italian Bernardo Strozzi Galleries Strozzi was born in Genoa. He was probably not related to the other Strozzi family. In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest). Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630),, Saint Lawrence distributing Alms at San Nicol?? da Tolentino[7] and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30). After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione.
 

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Bernardo Strozzi Die eitle Alte oil on canvas


Die eitle Alte
Die eitle Alte
Painting ID::  72086
  c. 1625 Oil on canvas 135 X 109 cm (53.15 X 42.91 in)
  c. 1625 Oil on canvas 135 X 109 cm (53.15 X 42.91 in)

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Bernardo Strozzi Die eitle Alte oil on canvas


Die eitle Alte
Die eitle Alte
Painting ID::  73616
  Date c. 1625 Medium Oil on canvas Dimensions 135 X 109 cm (53.15 X 42.91 in) cyf
  Date c. 1625 Medium Oil on canvas Dimensions 135 X 109 cm (53.15 X 42.91 in) cyf

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Bernardo Strozzi Portrait of a Maltese Knight oil on canvas


Portrait of a Maltese Knight
Portrait of a Maltese Knight
Painting ID::  81882
  first half of 17th century Medium Oil on canvas cyf
  first half of 17th century Medium Oil on canvas cyf

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Bernardo Strozzi Saint Cecilia oil on canvas


Saint Cecilia
Saint Cecilia
Painting ID::  81920
  Date between 1623(1623) and 1625(1625) Medium Oil on canvas Dimensions Height: 150 cm (59.1 in). Width: 100 cm (39.4 in). cjr
  Date between 1623(1623) and 1625(1625) Medium Oil on canvas Dimensions Height: 150 cm (59.1 in). Width: 100 cm (39.4 in). cjr

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Bernardo Strozzi The Viola da Gamba Player oil on canvas


The Viola da Gamba Player
The Viola da Gamba Player
Painting ID::  83795
  c. 1630-1640 Oil on canvas 125 x 99 cm cjr
  c. 1630-1640 Oil on canvas 125 x 99 cm cjr

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     Bernardo Strozzi
     1581-1644 Italian Bernardo Strozzi Galleries Strozzi was born in Genoa. He was probably not related to the other Strozzi family. In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest). Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630),, Saint Lawrence distributing Alms at San Nicol?? da Tolentino[7] and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30). After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione.

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